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A final curtain for Sherry Britton
Sherry Britton, whose hour-glass figure, jet-black hair and
rambunctious presence made her one of the queens of the burlesque stage in the
1930s and ’40s, died Tuesday in Manhattan. She was 89 and lived in Manhattan.
She died of natural causes, her cousin Melaine Britton said.
Along with Lois de Fee, “Queen of the Glamazons,” Betty Rowland, known as the
“Ball of Fire,” and Zorita, known for her sensuous snake dances, Ms. Britton was
one of the last stars of a once-thriving sprinkling of theaters in Times Square
(and other spots in Manhattan) where ostrich-feathered fans fell away to reveal
sequined pasties, G-strings and sometimes more. Sometimes Ms. Britton — at 5
feet 3 inches tall with an 18-inch waist — peeled off chiffon evening gowns to
the strains of Tchaikovsky; sometimes she balanced glasses of water on her
breasts.
In the 1940s, after burlesque was effectively banned from New York City by the
administration of Mayor Fiorello La Guardia, Ms. Britton — sometimes called
“Great Britton, a stripteuse with brains” — went on to an acting career that
took her to theaters around the country. She performed in 39 plays, including 14
musicals, sang in nightclubs and made numerous television appearances. Ms.
Britton entertained troops during World War II and, in 1944, was named an
honorary brigadier general by President Franklin D. Roosevelt. She was most
proud, her cousin said, of her role as Adelaide in the national touring company
production of “Guys and Dolls.”
Ms. Britton played on Broadway in 1958, as Princess Alexandria, an accomplished
belly dancer, in the comedy “Drink to Me Only.” A program note pointed out that
at the time she was the only guest on Mike Wallace’s television talk show who
had been “called back for a second interview by popular demand.”
To which The New York Times drama critic Brook Atkinson wrote in his review of
her performance as Princess Alexandria, “If Mike invited her to carry this
rippling belly dance over to his studio and put it on the air, she would be
invited back every week on schedule.”
A year earlier, Ms. Britton was the onstage narrator of “Best of Burlesque,” a
two-hour show at the Carnegie Hall Playhouse, which also starred an eye-rolling
Tom Poston as the top banana, or star comedian. With poker-faced chorus girls
singing off-key and rhythmically chewing gum, the show spoofed what was by then
a lost art form.
Born Edith Zack in New Brunswick, N.J., Ms. Britton was the daughter of Charles
and Esther Dansky Zack; the family name was later changed to Britton.
It was a difficult childhood. Her father beat her mother, Ms. Britton said in a
1998 New York Times interview. Her mother left when she was a small child, and
she lived in foster homes or with her aunt and uncle, who were vaudeville
performers. She never attended high school.
When Ms. Britton was 15, she started living with a man who later became abusive.
To escape what she called a “fake marriage,” she began stripping. Her first job
was at the People’s Theater, on the Bowery, where admission was 10 cents. Right
after that first performance, she said, she fainted.
In an unpublished memoir that she titled “The Stripper, by the Hon. Brigadier
General Sherry Britton,” Ms. Britton wrote: “There seemed to be two of me. One,
onstage, undressing. The other saying, ‘What are you doing, taking your clothes
off for those morons?’ “
Ms. Britton said she had been “engaged” to 14 men, including several famous
actors. In 1971 she married Robert Gross, a wealthy businessman. At his urging,
she enrolled at Fordham University, from which she graduated in 1982. Mr. Gross
died in 1990. Ms. Britton is survived by a half-sister, Emily Gendelman of
Brooklyn.
Although she had qualms about her early career, Ms. Britton pungently regretted
the demise of burlesque in New York City. She was working at Minsky’s Gaiety, a
theater at 46th Street and Broadway, when the La Guardia crackdown began. One of
the dancers, Margie Hart, had assets which she often displayed more than the law
allowed.
“She had a detective friend who would warn her when the censors were coming
around, and she would wear a G-string,” Ms. Britton recalled in the 1998 Times
interview. “Then she started seeing somebody else and he got jealous and didn’t
warn her and they closed us down.
“That little” — expletive deleted — “shut down burlesque in New York.”
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