For all of you who have been anxiously awaiting the sequel to
“Pirates of the Caribbean”, you’ll be happy to know that the sequel, “Pirates of
the Caribbean: Dead Man’s Chest” is in post production and will be coming out
sometime in the spring or summer of this year. The film reunites Johnny Depp
and Orlando Bloom as the heroes, as well as an impressive number of
supporting cast members from the first film.
The story this time centers around the fact that Captain Jack Sparrow, (Depp,)
owes his soul to Davy Jones, (played by Bill Nighy,) and his deep-sea
ghoulies, and now must find a way to get out of the contract. Granted, the story
line is a blatant, albeit original rip-off of “Bedazzled”, which was a rip-off
of “The Devil and Daniel Webster”, which I’m sure if I researched it far back
enough I could find what Stephen Vincent Benet stole that from, but you get the
idea. Anyway, Hollywood has been quasi-plagiarizing from it’s self for decades,
and let’s face it, even the Bible lifted some stories to make for interesting
reading. In any case, my little birdies tell me that this one will be even more
entertaining than the first, which is saying quite a lot. The producers are so
certain that this one will be as gezunte a hit, (or bigger,) as the
first, the shooting has already begun on the third installment. In this one,
Orlando Bloom’s wife, Elizabeth, (played again by Keira Knightly,) is
kidnapped by Chinese Pirate Sao Feng, played by the ever-versatile Chow Yun
Fat (“Anna and the King,)”. As I understand it, the filming on #3 began
before filming wrapped on #2, so the producers must be confident that the
chemistry between Depp and Bloom will continue to captivate the audiences. But
knowing actors as I do, the script must have been impressive to lure Chow Yun
Fat into playing a comedy of such broad application.
And this just in from the “Never Give a Saga an Even Break” department, yet
another rehash of “The Posiedon Adventure”, called simply, “Posiedon” is due out
May 15th, and it more than makes up for the sheiseleh version made for
television. This one stars Kurt Russell, and has all the breakneck pace
of the original and more drama than a cheerleader with a zit on prom night.
Taking a hint from the remake of “Planet of the Apes”, this one opts not to
bring back any of the characters from the original, giving us a whole new cast
of victims to root for. I won’t give any more away than I already have here, but
if you think you’re going to be able to follow this one scene for scene, forget
it! This one is darker, the effects more stunning, and the acting, although in
some cases being over-the-top, is far better than anything I’ve seen in a while.
Be prepared to resent not seeing Mr. and Mrs. Rosen at first, but also be
prepared to be swept away when the wave hits the shit. The effects are worthy of
“Titanic” and when it comes to suspension of disbelief, this one will pull you
into the ballroom before the funnels are underwater!
Finally, I would like to take this opportunity to respond to an e-mail I
received from Edwin in Texas, who raked my tukhas through the coals for my
review of the Nora Ephron version of “Bewitched” a few months back. At his
request, I rented the film and watched it again. Well, Eddie, I hate to say it,
but not only do I stand by my original critique, but after seeing the film
again, I found even more to dislike about it. The most faithful-to-the-original
thing about it was Carole Shelley’s portrayal of Aunt Clara, the only
character who gave the impression she’d ever even seen the original series.
Steve Carell’s imitation of ‘Uncle Arthur’ was barely passable even by
‘Saturday Night Live’ standards, and the final nails in the coffin were the
addition of archive footage from the series which in contrast made the movie
look even worse. Will Ferrell chews up the scenery like a Langolier, and
his attempts to out-mug Jim Carrey are an embarrassment. In my original
column, I advised everyone to save their money and watch the original series on
Nick at Night, and now that the film is out on video, I offer the same caution.
Sorry, Edwin, but I gotta call ‘em as I see ‘em!
Till next month, Gang.
|